Saturday, February 11, 2012

My 2 cents about Lana Del Ray


I tend to have my head in other places other than the music industry goss and I couldn't tell you who's hot and who's not. But even I haven't escaped this great bit music industry controversy.


So the first time I heard of Lana Del Ray, I think it was through a friend on Facebook posting something. I checked out the video for “Video Games” and really enjoyed it. Nice video clip, interesting vocal quality and arrangement. Something about sort of 70's American nostalgia ascetic appealed to me. Then I hear Triple J have her as the artist of the week. Then again I hear she's bombed on live performance on Saturday Night Live. So of course I check out her performance on that. People are up in arms saying how rubbish she was etc and I was expecting the worst. To be honest, not that bad. Ok so she lacks some stage presence, and at times she's a little pitchy. Other than that, it's not as bad as people are making out. So it got me to thinking why are people so upset?


One of the claims seem to be that it's all daddy's money and influence etc. that's got her this far. Don't people realise how much things costs? If you want to be on Saturday Night Live, have an album, have an international profile, have a beautifully produced video, we're talking hundreds of thousands of dollars. Does it matter where it comes from? Does it matter if it's a record label or daddy? The interest was originally created because she has an interesting sound and definite appeal. So some people got suckered in and now we find out someone bankrolled it. Big deal. Of course they did.


The bigger shock I believe comes from a different phenomena. People want to believe this mystique about artists and musicians. That it all comes from an impoverished artist slaving away by candlelight suffering for their art, smoking French cigarettes. There is an angle for every artist, most support the impoverished artist image because it works really well and people buy into it. But it takes money (for the most part) to get to an international stage, have an album, have a video, even play gigs. - Rare case of Bon Iver who produced an amazing feat of just that artist slaving away thing I was talking about. But even then, they made sure they mentioned that was in some wood shed in the mountains writing/recording in every press release. - So then, we're considered consumers and we're marketed to. Big deal. Is art supposed to be above all that? Why should we be so upset about it? Is is because it ruins our image of the artist/musician...


Eddie Izzard did a spot on the Project and was asked why he thought comedians had become like superstars. He said that you can't fake comedy. People have become disenfranchised with these pop artist who are manufactured and presented, that don't have heart and soul. Then bomb when it comes to live performance. But with comedy, you either make people laugh or you don't. There's no way of fudging it. Comedians have heart and soul but a lot of the modern performers don't. I get that, I agree with what he's on about whole heartily. There are performers out there who do that though, Del Ray perhaps isn't one of them. Doesn't mean people have to freak out and act all shocked. Yes it's disappointing, but she'll still sell a bizillion albums...


A lot festivals at the moment, ask you to pay to be part of the line up. So you can actually just buy your way in. You have to pay money to be even considered sometimes. Most live music venues want to know if you have a profile big enough to provide punters. What is that essentially about? Money. They can't afford to not have the place full or at least with a few people. Fair enough


So. Back to poor Del Ray. I do feel bad for her. I think what people are most upset with the fact that they are being reminded that this sort of marketing and packaging goes on all the time and that we by it. That we are involved in an industry. A music business. If we are so easily influenced by these things, by these romantic ideas about art and music, then we deserve to have them manipulated . We're naive to think otherwise. Does a song have less merit because you now know where it came from? Art should be able to stand on its own. If you like the song, who gives a toss where it came from or who bankrolled it. Bach got commisions. What't the big deal. If you like the song, it shouldn't matter whether a song was written by an impoverished artist or a trust fund baby.

Wednesday, February 1, 2012

Anne Carson - what a poet...


So it's a beautiful day here in Melbourne town. On a little break I was sitting on our back steps with a coffee and the cat and reading my latest book purchase: "Glass, Irony & God" by Anne Carson.
She is one of my favourite poets and reading out the back, dipping my feet in the sun, I just wanted to post a couple of lines of hers.

This first excerpt is from a series of poems about TV men.








TV Men: Sappho

part II

The talent has a talent
for the obvious
See this rope?

Tie one end to me
and the other end to Death:
overlit on all fours I shall

Circle Him
at a constant focal length.


The next exert if from a series titled "The Fall of Rome: A travellers guide".

XXIV
A stranger is poor, voracious and turbulent.
He comes

from nowhere in particular

and pushes prices up.
His method of knowing something
is it to eat it.

Taken out of context perhaps they loose some of their power. In any case, she's the shizzle and a constant source of inspiration for me to keep working on my own writing (in particular my novel)

Caio
Ash

Tuesday, January 10, 2012

Poems of the day




















Thought I would share a couple of poems that I've just read today. First one by John Boyle O Reilly, beautiful little poem and nice to read something with a positive spin (I sometimes get bogged down in too much darker material

"What is the real good?"
I ask in a musing mood.

"Order," said the law court;
"Knowledge," said the school;
"Truth," said the wise man;
"Pleasure," said the fool;
"Love," said the maiden;
"Beauty," said the page;
"Freedom," said the dreamer;
"Home," said the sage;
"Fame," said the soldier;
"Equity," said the seer.
Spake my heart fully sad:
"The answer is not here."

Then within my bosom,
Softly this I heard:
"Each heart holds the secret:
'Kindness' is the word."


Next one is by William Butler Yeats. I like this one for it's sentiment; trying to be intellectual, it's so so easy to be distracted by a hot chick!

HOW can I, that girl standing there,
My attention fix
On Roman or on Russian
Or on Spanish politics?
Yet here's a travelled man that knows
What he talks about,
And there's a politician
That has read and thought,
And maybe what they say is true
Of war and war's alarms,
But O that I were young again
And held her in my arms!

Tuesday, March 29, 2011

Prelude #1

So at the gig the other night I had a friend of mine record some of the tracks. Mostly because I hadn't had a chance to listen to the newly composed prelude.

Just wanted to share it. This piece will be part of a larger work:

http://ashleighsoutham.bandcamp.com/track/prelude-1

Hope you enjoy

Ash

Saturday, December 11, 2010

Recording and Indie label part #1 Composing & Arranging


So, I just had this idea.
I'm going to post the warts and all experience of recording my latest album. There are a lot of myths and questions about recording an album and the music industry in general. I'd like to shed some light about my experience of it to the people I know and any others that stumble on my blog. I'm going to write about my experience as a truely independant artist (no label, not even a small one, I'm my own label). Where possible I want to include every detail, particularly, the costs and time that it takes to make a cheap indie label in these modern times.

My album is called "Pilgrim". It is currently in the Manufacturering stage, so this post, and some others, will be retro active!

COMPOSING:

This is a fairly constant thing for me. I'm always composing. All it really takes for me is time. Some quiet time spent on my instrument and things start to come out. Then, a sort stream of consciousness approach to lyrics and melody. Then, more time. After the intial spark, there's a lot of effort that goes into organising the sections and also finishing melodies and finding lyrics. Every song is different. One song on the album took me about 2 hours, start to finish and it was done. That's pretty rare though. The songs on this album date back to about 2008 when I first moved to Melbourne and I had lots of spare time after making muesli and reading at the library.

ARRANGING:
My idea was to use a variety of talented people I knew and some I didn't. I also wanted to include a orchestral instruments. I also didn't want a typical band album and I wanted to arrange the songs in such as way, as the instruments played an integral role rather than a supportive one.

I love writing for strings. So I knew I wanted a string quartet. I also saw it possible to write for a brass/wind quartet as well. So the line up for a lot of the songs is; String quartet, Brass/wind Quartet, Drums, Bass, Guitar/Keys.

Arranging 10 songs for that many instruments and getting it just right (perfectionist) took me a good part of about 8 months, which was longer than I originally thought. There were also last minute changes happening on the morning of some of the recording days. But I really did love every second of working on the scores.



So to recap. Composing of the original songs, happened from 2008 right up until the moment where I was changing lyrics in the vocal booth in Nov 2010. So give or take, 2 years. Arranging the material into just the right perfect symbiotic harmonious glory between all instruments, about 8 months. Cost, well....composing is just time really so no costs there. Arranging, cracked version of Sibelius was free, or about $200....no prises for guessing which one I went with.


Tune in next time for "Decision Time!"

Tuesday, June 29, 2010

Albums I'm listening to while re-reading my my 1st draft of novel (should take about 12 hours)




Jonny Cash - American IV The man comes around
Joan as Policewoman - Real Life
The Mars Volta - Deloused in the comatorium
Coldplay - A Rush of Blood to the Head
Ryan Adams - Gold
The Grand Central Band
Miles Davis - Kind of Blue
The Doors - Morrison Hotel & LA Woman
Muse - Origins of symmetry
John Lennon - Wonsaponatime
Rufus Wainright - Want two


Now the coffees ready.....back to it!!

Tuesday, April 13, 2010

Anne Carson

So I've recently been reading Anne Carson's book of poetry and prose 'Plain Water' and I think she's amazing......so I wanted to post a poem of hers

"On Youth at Night"

the youth at night would have himself drawn
around the scream. It lay in the middle of the
city gazing back at him with its heat and
rose pool of flesh. Terrific lava shone
on his soul. He would ride and stare



I definately reccommend her....with some practice I hope to be as original...

http://en.wikipedia.org/wiki/Anne_Carson